Celebrating the Genius of Jennifer Muller
Ten or so years ago, I discovered gyrotonics, an exercise system that was most commonly used and taught back then by professional dancers. My primary instructor was Jennifer DePalo, an accomplished modern dancer. I’d always been a fitness buff but under her tutelage, I achieved significant improvements in strength, flexibility, and balance. I also found a genuine appreciation for form and movement, as well as the rigors of professional dance training.
I attended several of DePalo’s performances and was always mesmerized by the graceful ease at which she mastered the complexities of her craft, making complicated dance steps and sequences seem effortless. Each performance left me wondering how choreographers do what they do. Where does one even start when conceiving a dance piece? It took nearly a decade but thanks to our newfound friends at modern dance company Jennifer Muller/The Works, I am beginning to find out.
A few months ago, S&A client and friend Gary Hayes asked if we’d consider getting involved with Jennifer Muller/The Works. The company, which he supported on a personal level, was planning a gala to celebrate its 35th anniversary. Like so many other cultural institutions, they were feeling the financial pinch of an economy turned south and were seeking additional patrons.
For the uninitiated, Jennifer Muller is a living legend in the modern dance world. She has created more than 90 dance pieces and created and restaged countless others for more than 20 international repertory companies across nine countries. She has collaborated with prominent artists such as Keith Haring, Sandro Chia, Keith Jarrett, and Yoko Ono. Underscoring her accomplishment, Muller was one of only 30 artists chosen in 2003 as a founding member of the World Arts Council in Valencia, Spain.
Although there are a few New York City dance companies that have been around longer than Muller’s, virtually all of them were founded in the 1960s when grants and corporate funding for the arts were more readily available. Founding a dance company in the mid-seventies was an ambitious and formidable challenge and keeping it alive through multiple recessions is testimony to her business acumen.
Given my personal interest in dance and our team’s collective excitement to provide the dance troupe support, we leapt at the opportunity to get involved. Truth be told, they had me as soon as I learned I’d be able to attend a rehearsal of the works being staged later in the season! Finally, I had my chance to peek behind the curtain and watch a celebrated choreographer at work.
I’m hard-pressed to accurately explain the emotional reaction of watching Muller at the helm of a rehearsal. As a team leader myself, I was impressed with how she can be so remarkably demanding and nurturing at the same time. She has clearly earned the admiration, respect, and loyalty of her dancers, each one delivering the extra something required to meet and then exceed her passionate demands to achieve perfection. In corporate-speak, we’d say that her dancers are fully engaged in the mission. They live for their art, they have great confidence in their leader, they trust in her vision, and execute it brilliantly not for the mere sake of recognition or tangible reward, but rather because not delivering the goods would be too great a personal disappointment.
Most people don’t realize that the life of a modern dancer isn’t easy or glorious, even for those talented and fortunate enough to make it into a top-tier New York City company. Muller’s dancers spend seven hours a day studying and performing, and the majority need to hold secondary jobs to make ends meet (you definitely don’t choose a career in modern dance for the money). In addition to teaching at various gyms around the city, company dancer Rosie Lani Fiedelman, for example, performs at least eight times a week as an ensemble cast member in the acclaimed Broadway play “In the Heights” (for which she received a 2007 Drama Desk Award). Her dance company colleague Elizabeth (Beth) Disharoon is an energy analyst at a Wall Street firm that, fortunately for her, genuinely supports the outside pursuits of its employees. Needless to say, time management is obviously a requisite skill for being a professional modern dancer.
From June 9-14, Jennifer Muller/The Works will be performing at New York’s Joyce Theater, one of the premier dance venues in New York City. Having already seen multiple Muller performances, I can say with considerable authority that this is an event that modern dance enthusiasts will not want to miss. Starkman & Associates is extremely proud to be a corporate sponsor of a talented dance company that reflects our own values, and hopes you’ll join us at the Joyce Theater next week. We’ll be easy to spot – just look for the group standing proud and clapping the loudest.